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Oil Paintings
Come From United Kingdom
An option that you can own an 100% hand-painted oil painting from our talent artists. |
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Philip Hermogenes Calderon
English genre, portraits, domestic and historical scenes Painter, 1833-1898
English painter of Spanish and French descent. His father, at one time a Roman Catholic priest, was Professor of Spanish Literature at King's College, London. Calderon studied at James M. Leigh's school in London in 1850, then in Paris at the studio of Fran?ois-Edouard Picot. He lived near by in Montmartre, sharing a room with fellow art student Henry Stacy Marks. He exhibited his first Royal Academy painting, By the Waters of Babylon (London, Tate), in 1853 and thereafter became a regular exhibitor until 1897. He first made his name with Broken Vows (London, Tate), exhibited in 1857. The painting shows a woman overhearing through a garden fence her lover betraying her and was painted in the detailed, clean-cut style associated with the Pre-Raphaelites. |
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Philip Hermogenes Calderon
Broken Vows
1856
Oil on canvas 91.4 x 67.9 cm
(36 x 26 3/4 in)
Tate Gallery London (mk63)
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Philip Hermogenes Calderon
Her Most High,Noble and Puissant Grace
1865
Oil on canvas 119.4 x 213.4 cm (47 x 84 in)Leeds City Art Gallery (mk63)
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Philip Hermogenes Calderon
Words of Love
1863(1863)
Medium oil on canvas
Dimensions 91.5 x 71 cm
cyf
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| Philip Hermogenes Calderon
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English genre, portraits, domestic and historical scenes Painter, 1833-1898
English painter of Spanish and French descent. His father, at one time a Roman Catholic priest, was Professor of Spanish Literature at King's College, London. Calderon studied at James M. Leigh's school in London in 1850, then in Paris at the studio of Fran?ois-Edouard Picot. He lived near by in Montmartre, sharing a room with fellow art student Henry Stacy Marks. He exhibited his first Royal Academy painting, By the Waters of Babylon (London, Tate), in 1853 and thereafter became a regular exhibitor until 1897. He first made his name with Broken Vows (London, Tate), exhibited in 1857. The painting shows a woman overhearing through a garden fence her lover betraying her and was painted in the detailed, clean-cut style associated with the Pre-Raphaelites.
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